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Paris my Love

A French blogger for Chinese readers

 
 
 

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Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎  

2013-08-02 22:21:08|  分类: Museums 博物馆 |  标签: |举报 |字号 订阅

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Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
Bust of Ernest Renan, writer, philosopher, political scientist and historian French. - 欧内斯特·勒南,作家,哲学家,政治学家和历史学家,法国的胸围。

 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love

Alfred de Musset, famous romantic writer - 著名的浪漫主义作家阿尔弗雷德·德·缪塞
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love

Sorry for the bad quality, I don't know what happened (door engraved cigar) - 质量不好对不起,我不知道发生了什么(车门刻雪茄)
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love
 
Sculpture and medallions romantic Paris - 雕塑及纪念章浪漫之都巴黎 - ParismyLove - Paris my Love

Sorry for the bad quality,  - 质量不好对不起,


 Romantic sculpture
While in painting the dispute was between drawing and color, sculpture the question arose between the ancient and the modern. Our sculptors also seeking rejuvenation.

Jean-Pierre Cortot: The Marathon Runner. The plaster model of the marathon runner was presented at the Salon of 1822. (Musée du Louvre).
But romanticism sculpture appeared relatively late, in 1830, and lasted little. Until then the artists, not daring to break with the traditional canon, just trying to accentuate the movement of lines or to give them more flexibility: the chariot of Carousel Bossio, the Spartacus Foyatier the Marathon Runner Cortot still show a timid route to freedom.
Romantic sculptors really betray their subjects: modern literature, the Middle Ages and the Bible provide almost all. Jehan Duseigneur exposed in 1831 an angry naked and epileptic Roland, and in 1833 a Quasimodo and Esmeralda; ?tex gives a shaggy Cain in 1833, and Fran?oise de Rimini Préault, the type of romantic sculptor to chisel truculent, a funeral finds , like his famous mask of silence, or Shakespearean effects such as Ophelia drowned Museum Marseilles Drouet carved in 1836 by a curious looking ethnic peculiarities Choctaws in the same year, Rude bursts on its Arc de Triomphe Marseillaise screaming anthem of freedom, quivering life sculpture, one of the largest sculptural pages of the century, at the same time creates a Barye sculpture as animal has none nation.

But the romantic sculptor is David d'Angers (1788-1856) the artist exalted by Vigny, Hugo celebrated, and so closely united in the Cenacle he left marble effigy of all its members. Romantic, he was heart and head, who, from the salon in 1824, engaged in the romantic side of Delacroix fight with his Death of Bonchamp, classic yet by the naked, but the romantic accent and gesture , which stood him in marble or bronze flowed Victor Hugo, Balzac, Goethe, Géricault, Lamartine and Gautier.

浪漫雕塑
虽然在画图纸和颜色,雕塑之间的纠纷问题出现在古老与现代之间。我们的雕塑家也寻求复兴。

让 - 皮埃尔·科尔托:马拉松亚军。马拉松选手的石膏模型,提出了1822年在沙龙。 (卢浮宫)。
但是浪漫主义雕塑出现相对较晚,于1830年,历时一点。在那之前,艺术家,不敢打破传统的佳能,只是想强调运动的线条,或给他们更多的灵活性:旋转Bossio的战车,斯巴达克斯Foyatier的马拉松选手科尔托仍然显示一个胆小的自由路线。
浪漫雕塑家真的背叛自己的科目:现代文学,中世纪和“圣经”提供了几乎所有。 1831年查汉Duseigneur暴露愤怒的赤裸裸和癫痫罗兰,一个卡西莫多和埃斯梅拉达; ETEX于1833年给出了一个毛茸茸的该隐于1833年,弗朗索瓦·德里米尼Préault,浪漫雕塑家凿汹汹,葬礼发现,像刻于1836年的博物馆马赛杜洛埃好奇的看种族特性乔克托人在同一年,粗鲁阵阵的凯旋门上的沉默,或莎士比亚的影响,如欧菲淹没了他的著名的面具马赛尖叫自由的赞歌,颤颤巍巍的生活雕塑,本世纪最大的雕塑页面之一,在相同的时间创建了一个微巴雕塑,作为动物没有民族。

但浪漫的雕塑家大卫昂热(1788年至1856年)艺术家崇高维尼,雨果庆祝活动,如此紧密地团结在晚餐厅,他离开其所有成员的大理石雕像。浪漫气氛,他是心脏和头部,从Bonchamp,经典的死亡与他尚未通过肉眼沙龙于1824年,从事德拉克洛瓦打在浪漫的一面,但浪漫的口音和手势,让他站在大理石或青铜流入维克多·雨果,巴尔扎克,歌德,里柯,拉马丁和戈蒂埃。


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" La sculpture donne de l'?me au marbre" (The sculpture gives soul to the plate - 雕塑的灵魂板块).
 Fran?ois René de Chateaubriand 弗朗索瓦·勒·夏多布里昂
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